9/26/2023 0 Comments Qbert sounds like tivo![]() The San Francisco, California DJ/turntablist/producer born Richard Quitevis has advanced the possibility of the turntable, mixer, and scratch language beyond comprehension. Listen As He Obliterates a ’60s Soul (Mix)Īlthough he does not get nearly enough credit in mainstream Hip-Hop circles, DJ QBert is one of the proven masters within the culture. ![]() Related: Many Think DJ QBert Is The Best Turntablist Alive. ![]() James Brown Give It Up or Turnit a Loose (Remix)Ĭoke Escovedo (Runaway) I Wouldn’t Change A ThingĬheck out other Ambrosia For Heads’ “Do Remember” pieces. John Davis and the Monster Orchestra I Can’t Stop The Grass Roots You and Love are the SameĬecil Holmes Soulful Sounds 2001 (Also Sprach Zarathustra) The Brothers Johnson Ain’t We Funkin’ NowĮsther Williams Last Night Changed it All James Brown Funky President (People It’s Bad) Some say this tape may have sealed the deal: Before he was working with Kool Keith, DJ Shadow, and making animated films, QBert was out to be the baddest DJ in the space. Work like this helped reinvigorate the DJ market, prior to Scratch, Serato, DJ Hero, or mass reissues. The results were so strong, the work was later officially pressed up to CD and 2LP. Already a two-time DMC World Champion, QBert was simply giving the grassroots masses something to admire in their tape-decks. al) were making moves in Southern California, QBert was going back to the future with aggressive scratches, unpredictability, and the fastest hands on two turns around. al) were running around New York City with a street-stuck rawness, and the Beat Junkies (DJ Rhettmatic, J. Moreover, the DJ slides in other records, challenging himself to stay grounded in the confines of the culture.Īt the same time the X-Ecutionerz (Rob Swift, Roc Raida, et. Almost like moving from acoustic to electric guitar, QBert takes the turntable, and amplifies the elementary Hip-Hop exponentially. What made the mix so astounding is that QBert retraced Hip-Hop music back to its elements, the very ingredients that were at the DJ’s disposal in the Bronx park jams of the mid-1970s. Additionally, Q worked in Too Short, Roxanne Shante, Fab 5 Freddy, and even retro Acid Jazz outfit, Greyboy Allstars. Within, QBert snuck in Prog Rock band Rush, futuristic New Wave artist Gary Numan, and Rock & Roll pioneer Bo Diddley. Much of the mix is built around Hip-Hop’s famed samples and break-beats. The DJ stacked up plates by James Brown, Jackson 5, ESG, The Blackbyrds, Z.Z. With his turntables and a mixer, QBert embarked on a journey much like his recent one. Demolition Pumpkin Squeeze Musik sliced like Michael Myers. It calls to mind the breakthrough tape/album that the Butter Rugs slipmats inventor released 21 years ago, with a cassette tape that opened the universe to the sound coming out the Bay. This past week, he premiered a new set of ’60s and ’70s Soul/Rare Groove that had the web abuzz.
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